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Known Engravings by
Herbert K. Bourne 1825-1907 |
This is an outdated and archived page. It is maintained here only until Google finds and indexes its much-updated successor. Please visit the UPDATED PAGE. |
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Contrary Winds
after Thomas Webster, 1843 by "H. Bourne, Sculpt" ptd by Selmar Hess, 1869 (original at Victoria & Albert Museum) |
The Village Choir
after Thomas Webster, 1847 Genuine title: Village Choir, Bow Brickhill Church, Buckinghamshire by "H. Bourne, Sculpt" 1870 (original at Victoria & Albert Museum, study for the painting at Royal Academy of Arts) |
The Duel Interrupted
after Marcus Stone by "H. Bourne, Sculpt" (reported from One Hundred Works of Great Masters by Aphonse Bacheret ptd by George Barrie) original title: The Interrupted Duel, 1868 |
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The Village School
after Thomas Webster, 1845 genuine title of painting: A Dame's School by "H. Bourne, Engraver" ptd by G. Virtue (original at Tate Gallery, London) |
The New Curate |
Watt's First Experiment |
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The Death of Cleopatra
after Guido (Reni) by "H.C. Shelton finished by H. Bourne" genuine title: Cleopatra with the Asp, 1628 (please note that Guide Reni also created a work titled Tod der Kleopatra (Death of Cleopatra), but that painting has a different pose and the asp is in the opposite hand); original in Great Britain's Royal Collection |
God's Acre
after Emily Mary Osborn, 1834 Famous British Artists: A Series Of Engravings On Japan Paper by "H. Bourne, Sculpt." also unconfirmed report of appearance in One Hundred Works of Great Masters by Aphonse Bacheret); the original was offered for sale in 2008 by a Washington DC gallery |
The Alms - Deeds of Dorcas
after William Charles Thomas Dobson Art Journal, 1860 by "H. Bourne, Sculpt." ptd by James S. Virtue |
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The Last of England
after Ford Madox Brown, 1852 (models were Brown and wife Emma) by "H. Bourne, Sculpt." ptd by Gebbie & Barrie |
New Shoes
after William Powell Frith by "H. Bourne, Sculpt." |
The Syren
after Charles Louis Muller, 1867 by "H. Bourne, Sculpt." |
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The Misers
after Quentin Matsys by "H. Bourne, Sc." ptd by Gebbie & Barrie |
Le Malade Imaginaire
after Abraham Solomon by "H. Bourne, Sculpt." ptd by D. Appleton & Co, New York (reported from the Art Journal, 1853) |
Suspense
after Alexander Johnston by "H. Bourne, Sculpt." ptd by Gebbie & Barrie |
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Novitiate Mendicants
after "Rothwell", 1837 (probably Richard Rothwell) by "H. Bourne, Sculpt." D. Appleton & Co. |
The Tambourine
after Pierre Louis Joseph deConinck Art Journal, 1888 by "H. Bourne, Sculpt." ptd by Selmar Hess, Gebbie & Barrie (reported from One Hundred Works of Great Masters by Aphonse Bacheret) |
Susannah
after John Rogers Herbert by "H. Bourne, Sculpt." |
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The Crown of Hops
after William Frederick Witherington genuine title: The Hop Garland, ca 1843 by "H. Bourne, Sculpt." ptd by D. Appleton & Co. (reportedly from the Art Journal, 1851) |
Cherry Earrings
after Frederick Morgan "Engraved by H. Bourne" ptd by Selmar Hess |
Flagstaff and Anne Page
after George Clint, 1831 from Charles Knight, Imperial Edition of The Works of Shakespeare, 1873-1876 by "H. Bourne, Engraver" (represented act 3, scene 3 in the Merry Wives of Windsor) |
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The Seven Ages of Man
(As You Like It) after William Mulready, 1838 from Charles Knight, Imperial Edition of The Works of Shakespeare, 1873-1876 by "H. Bourne, Sculpt." ptd by Virtue & Co. |
The Crown Offered to William and Mary by the Lords
and Commons at Whitehall, Feby 12th, 1689
after Edward Matthew Ward, 1866 (supposedly appeared in Illustrations of English and Scottish History, vol. 2) The 1854 edition of The Civil Engineer and Architect's Journal clearly refers to the artist as Edward M. Ward (as opposed to Edgar Melville Ward) and the title as The Lords and Commons presenting the Crown to William and Mary in the Banquetting House |
The Children in the Wood
after John Thomas Peele. Genuine title: Children of the Wood, 1847 by "H. Bourne, Sculpt." |
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Spotty references claim Bourne also engraved vignettes of postage stamps
for |
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"Cabezones," Columbus stamps, Chile,
1900
engraved by Bourne for Waterlow & Sons (date of engraving unknown) |
"Queen Victoria" stamps, Falkland Islands, 1878 and after
engraved by Bourne for Bradbury Wilkinson & Co |
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Purity
after Henry Nelson O'Neil by "H. Bourne, Sculpt." ptd by James S. Virtue |
The Happy Days of Job
after William Charles Thomas Dobson, 1845 by "H. Bourne, Sculpt." ptd by James S. Virtue |
The Novice
after John Calcott Horsley by "H. Bourne, Sculpt." ptd by Virtue & Co. |
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The Fair Correspondent |
Garrick And His Wife
after W Hogarth Famous British Artists A Series Of Engravings On Japan Paper (supposedly in the Art Journal, 1855) by "H. Bourne, Sculpt." ptd by Royal Collection |
Juliet in the Cell of Friar Lawrence
after Edward Matthew Ward appeared in Art and Artists of Our Time, vol. III, 1888 by "H. Bourne, Sculpt." |
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Job and His Friends
after Paul Falconer Poole Genuine title probably: Messenger announcing to Job the Irruption of the Sabeans and the Slaughter of the Servants, 1850 by "H. Bourne, Engraver" ptd by H. Wilkinson |
A Young Painter's First Works
after Marcus Stone, 1862 by "H. Bourne, Sculpt." genuine title: The Painter's First Work |
King Alfred Inciting the Anglo-Saxons:
to repel
the invasion
of the Danes, A.D. 876
after George Frederic Watts Genuine title, "King Alfred Inciting the Saxons to Prevent the Landing of the Danes" "Engraved by H. Bourne" ptd by Blackie & Son (supposedly appeared in Illustrations of English and Scottish History, vol. 1) |
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Anne
after J.L. Williams, from the statue by Rysbrack at Blenheim House "Engraved by E. Bourne" ptd by Blackie & Son |
Charles I
after J. L. Williams, from the picture by Anthony van Dyke "Engraved by H. Bourne" ptd by Blackie & Son |
Charles II
after J.L. Williams, from Contemporary Engravings by Becket and Long, after the portrait by Sir Godfrey Kneller "Engraved by H. Bourne" ptd by Blackie & Son |
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Christian Martyrs in the Coliseum
(1875) after Gustave Doré ptd by Fairless & Beeforth |
Christ Leaving the Praetorian
(1877) after Gustave Doré |
Andromeda (chained to the rocks)
(1881) after Gustave Doré "Engraved by H. Bourne" ptd by Holdgate Bros. |
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Triumph of Christianity over Paganism (1872) after Gustave Doré |
La Vigne (The Autumn Vine) (1879?) after Gustave Doré |
Night of the Crucifixion (Les Tenebres) (1880) after Gustave Doré, reported engraved by Bourne and William Ridgeway by "H. Bourne" ptd by Fairless & Beeforth, Doré Gallery, 1880 (one artist's proof version of this work is hand-titled After the Crucifixion) |
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Soldiers of the Cross (Crusaders) (1881) after Gustave Doré |
Moses Before Pharaoh (1883?) after Gustave Doré |
(1875) after Gustave Doré (This image has been referenced elsewhere as "Christian Martyrs) |
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Wycliffe On His Sickened Bed Assailed By His Friars
At Oxford in 1378, after George Thomas "Engraved by H. Bourne" ptd by Blackie & Son |
Fair-Time (1840 title)
after William Mulready original 1809 title: Returning from the Ale-House by "H. Bourne, Engraver" ptd by G. Virtue |
Yorick and the Grisette |
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The Release of the Seven Bishops after their trial
in Wesminster Hall, June 29th 1688 |
The Butt-Shooting a Cherry |
The Family of Charles I
after Anthony van Dyck by "H. Bourne, Sculpt." ptd by James S. Virtue |
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Hindoo Maidens Floating Lamps on the Ganges
after James Charles Armytage by "H. Bourne" |
St Catherine |
Saint Barbara, Virgin & Martyr |
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Grand Durbar at Cawnpore: after the
suppresion of the Sepoy Revolt, Lord Canning investing the loyal Rajahs
with decorations and proprietary rights
after Marshall Claxton "Engraved by H. Bourne" ptd by Blackie & Son |
Lady Jane Grey's Reluctance to Accept the Crown,
July 8th, 1553
from Pictures & Royal Portraits - Illustrative of English & Scottish History, 1886 by Thomas Archer after Charles Robert Leslie "Engraved by Herbert Bourne" ptd by Blackie & Son |
Murder of Archbishop Sharpe
after Sir William Allan unconfirmed genuine title: The Death of Archbishop Sharpe by "H. Bourne" ptd by Virtue & Co. |
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L'Inamorta
after Henry Nelson O'Neil, 1854 by "H. Bourne, Sculpt." |
A Greek Girl |
Miriam
after Wilhelm Hensel, ca 1843. Genuine title: Miriam's Song of Praise by "H. Bourne, Sculpt." |
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Nature's Mirror
after Leon Jean Basile Perrault not seen in person, so unknown if engraving or photogravure |
Robin & Makyne
after William Fleming Vallance by "H. Bourne" ptd by Virtue & Co. |
The Knuckle-Bone Player
after Lord Frederic Leighton "Engraved by H. Bourne" ptd by J.S. Virtue & Co. |
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Isabella
after John Everett Millais, 1849 Genuine title: Lorenzo and Isabella "Engraved by H. Bourne" ptd by J.S. Virtue & Co. |
Robert Burns
after Archibald Skirving, 1840 |
Triumph of Christianity over Paganism
after Gustave Doré |
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Joseph Sold By His Brethren
after Emile-Jean-Horace Vernet, 1853 Genuine title: Joseph's Coat |
Last Moments of the Czar
artist unknown by "H. Bourne" from Edward Henry Nolan, The History of the War Against Russia, 1857, ptd by Virtue & Co. |
The Most Noble The Marquis of Hastings
after Sir Martin Arthur Shee by "H. Bourne" ptd by James S. Virtue |
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Lady Jane Gray Declining the Crown
after Robert Smirke |
Chevalier de St George
(Son of James VII) after Sir Peter Lely Published in the Imperial Gazetteer of Scotland, 1857 by "H. Bourne" |
Henrietta of Orleans
after Peter Mignard by "H. Bourne, Sculpt." (reportedly from The Story of Nell Gwyn and the Sayings of Charles the Second, extra-illustrated, 1852, Bradbury & Evans, London) |
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Anno Domini, Holy Family's flight to Egypt after Edwin Long, 1889 |
Searching the Scriptures after Alexander Strahuber "Engd by Herbert Bourne" ptd by Blackie & Son |
Death of
Sir Philip Sidney after Jean Francis Rigaud by "H. K. Bourne" ptd by Virtue & Co. |
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St Agnes |
from a painting in the possession of John Fenwick, Esq by "H. Bourne" ptd by Virtue & Co. (painter not attributed on Bourne engraving, but portrait originated from painting by Thomas Sadler , 1684, currently housed in Great Britain's National Portrait Galley) |
from a painting by Henry Decaisne (de Caisne) |
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after Anthony Watteau by "H. Bourne, Engraver" ptd by G. Virtue |
Charles I in the Guard-Room, insulted by the soldiers of Cromwell, Jany.
27th 1649 after (Hippolyte) Paul Delaroche Genuine title: The King in the Guard-Room, with villainous roundhead soldiers blowing tobacco smoke in his patient face "Engraved by H. Bourne," ptd by Blackie & Son |
Charles II in Disguise Aided in His Escape by Jane Lane after the Battle of Worcester, 1651 after Edward Matthew Ward Genuine title variably referenced as: 1) Jane Lane assisting Charles II to escape after the battle of Worcester (1651); 2) Charles II and Jane Lane ; 3) Jane Lane helping Charles II to escape after the Battle of Worcester; 4)Jane Lane assisting the flight of Charles II; 5) Charles II assisted in his escape by Jane Lane "Engraved by H. Bourne," ptd by Blackie & Son (From Illustrations of English and Scottish History, Volume I) This artist is sometimes referenced as Edgar Melville Ward, but is clearly in disagreement with the 1854 edition of Civil Engineer and Architect's Journal. vol 17 |
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Leah and Rachel after Jean Francois Portaels by "H. Bourne" ptd by A. Fullarton & Co., London and Edinburgh |
Art Critics in Brittany after Abraham Solomon by "H. Bourne, Sculpt." ptd by Virtue & Co. |
| Engraved Title | Source of art work | image size (width x height in centimeters) | ||
| The Alms - Deeds of Dorcas | William Charles Thomas Dobson | 20.1 x 23.3 | 1 | |
| Anne | J.L. Williams | 8.7 x 16.9 | 1 | |
| Anno Domini | Edwin Long | 113 x 67 | ||
| Andromeda (Chained to the Rocks) | Gustave Doré | 43.2 x 30.5 | ||
| Art Critics in Brittany | Abraham Solomon | 18.2 x 23.6 | 1 | |
| The Butt-Shooting a Cherry | William Mulready | 22.5 x 19.3 | 2 | |
| "Cabezones," Columbus stamps | Waterlow & Sons | |||
| Charles I | Anthony van Dyke | 8.5 x 16.7 | 1 | |
| Charles I in the Guard-Room | (Hippolyte) Paul Delaroche | 16.9 x 12.2 | 5 |
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| Charles II | J.L. Williams | 9.4 x 16.9 | 1 | |
| Charles II in Disguise | Edward Matthew Ward | 15.3 x 13.0 | 5 |
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| Cherry Earrings | Frederick Morgan | 17.4 x 22.0 | 1 | |
| Chevalier de St George | Sir Peter Lely (unattributed on engraving) | 10.0 x 12.7 | 1 | |
| The Children in the Wood | John Thomas Peele | 25.1 x 19.0 | 1 | |
| Christ Disputing with the Doctors | Henry Decaisne (de Caisne) | |||
| Christ Leaving the Praetorian | Gustave Doré | 55.9 x 82.6 | ||
| Christian Martyrs in the Coliseum | Gustave Doré | 55.9 x 82.6 | ||
| Contrary Winds | Thomas Webster | 24.6 x 15.5 | 1 | |
| The Crown of Hops | William Frederick Witherington | 19.2 x 24.5 | 1 | |
| The Crown Offered to William and Mary | Edward Matthew Ward | |||
| The Death of Cleopatra | Guido Reni | 20.0 x 24.6 | 1 | |
| Death of Sir Philip Sidney | Jean Francis Rigaud | 10.9 x 15.1 | 1 | |
| The Duel Interrupted | Marcus Stone | 25.4 x 15.8 | 1 | |
| The Fair Correspondent | James Sant | 18.5 x 22.7 | 1 | |
| Fair-Time | William Mulready | 19.5 x 24.2 | 1 | |
| Flagstaff and Anne Page | George Clint | 19.3 x 23.7 | 1 | |
| The Family of Charles I | Anthony van Dyck | 24.0 x 19.6 | 1 | |
| The Garden | Anthony Watteau | 21.5 x 16.4 | 1 | |
| Garrick And His Wife | W Hogarth | 19.7 x 23.5 | 1 | |
| God's Acre | Emily Mary Osborn | 18.3 x 23.7 | 1 | |
| Grand Durbar at Cawnpore | Marshall Claxton | 17.2 x 11.7 | 1 | |
| A Greek Girl | Sir Charles Lock Eastlake | 18.8 x 23.7 | 1 | |
| The Happy Days of Job | William Charles Thomas Dobson | 19.2 x 23.0 | 1 | |
| Henrietta of Orleans | Peter Mignard | 19.7 x 25.6 | 1 | |
| Hindoo Maidens Floating Lamps on the Ganges | James Charles Armytage | 12.5 x 18.4 | 1 | |
| Isabella | John Everett Millais | 24.2 x 17.9 | 1 | |
| John Bunyan | painter unknown | 10.4 x 13.5 | 1 | |
| Joseph Sold By His Brethren | Horace Vernet | |||
| Job and His Friends | Paul Falconer Poole | 25.6 x 17.6 | 1 | |
| Juliet in the Cell of Friar Lawrence | Edward Matthew Ward | 19.8 x 22.2 | 1 | |
| King Alfred Inciting the Anglo-Saxons | George Frederic Watts | 18.1 x 10.6 | 1 | |
| The Knuckle-Bone Player | Lord Frederic Leighton | 24.2 x 32.3 | 1 | |
| L'Inamorta | Henry Nelson O'Neil | 18.4 x 23.1 | 1 | |
| La Vigne (The Autumn Vine) | Gustave Doré | 55.9 x 31.8 | ||
| Lady Jane Gray Declining the Crown | Robert Smirke | 15.0 x 25.7 | 1 | |
| Lady Jane Grey's Reluctance to Accept the Crown | Charles Robert Leslie | 16.3 x 11.8 | 1 | |
| The Last of England | Ford Madox Brown | 21.0 x 23.2 | 3 | |
| Last Moments of the Czar | unattributed | 16.5 x 11.0 | 1 | |
| Le Malade Imaginaire | Abraham Solomon | 18.5 x 23.2 | 1 | |
| Leah and Rachel | Jean Francois Portaels | 14.8 x 21.1 | 5 |
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| Night of the Crucifixion (Les Tenebres) | Gustave Doré | 55.9 x 82.6 | ||
| Miriam | Wilhelm Hensel | 22.8 x 22.8 | 1 | |
| The Misers | Quentin Matsys | 19.4 x 23.7 | 1 | |
| Moses Beffore Pharaoh | Gustave Doré | 55.9 x 82.6 | ||
| The Most Noble The Marquis of Hastings | Sir Martin Arthur Shee | 10.5 x 12.8 | 1 | |
| Murder of Archbishop Sharpe | Sir William Allan | 17.4 x 12.0 | 1 | |
| Nature's Mirror | Leon Jean Basile Perrault | 23.5 x 28.6 | 1 | |
| The New Curate | David Wilkie Wynfield | 26.3 x 16.3 | 1 | |
| New Shoes | William Powell Frith | 22.0 x 22.0 | 1 | |
| The Novice | John Calcott Horsley | 17.8 x 11.7 | 1 | |
| Novitiate Mendicants | (Richard?) Rothwell | 18.5 x 24.4 | 1 | |
| Purity | Henry Nelson O'Neil | 19.7 x 23.9 | 1 | |
| The Release of the Seven Bishops | Edward Matthew Ward | 15.4 x 13.0 | 1 | |
| Robert Burns | Archibald Skirving | |||
| Robin & Makyne | William Fleming Vallance | 10.8 x 15.2 | 1 | |
| St Agnes | Domenichino (Zampieri Domenico) | 9.9 x 12.9 | 1 | |
| St Barbara | Peter Paul Rubens | 9.9 x 13.2 | 1 | |
| St Catherine | Peter Paul Rubens | |||
| Searching the Scriptures | Alexander Strähuber | 20.1 x 19.8 | 1 | |
| The Seven Ages of Man | William Mulready | 23.8 x 17.5 | 1 | |
| Slaying of The Innocents | Gustave Doré | 81.2 x 55.9 | ||
| Soldiers of the Cross (Crusaders) | Gustave Doré | 55.9 x 82.6 | ||
| Susannah | John Rogers Herbert | 16.7 x 25.2 | 1 | |
| Suspense | Alexander Johnston | 16.0 x 20.4 | 1 | |
| The Syren | Charles Louis Muller | 20.0 x 24.9 | 1 | |
| The Tambourine | Pierre Louis Joseph deConinck | 17.7 x 27.8 | 3 | |
| Triumph of Christianity over Paganism | Gustave Doré | 82.5 x 55.9 | ||
| The Village Choir | Thomas Webster | 25.4 x 14.4 | 1 | |
| The Village School | Thomas Webster | 25.6 x 14.2 | 1 | |
| Watt's First Experiment | Marcus Stone | 23.9 x 18.3 | 1 | |
| Wycliffe On His Sickened Bed | George Thomas | 16.2 x 11.7 | 1 | |
| Yorick and the Grisette | Gilbert Stuart Newtonk | 18.8 x 24.6 | 1 | |
| A Young Painter's First Works | Marcus Stone | 23.6 x 18.0 | 1 |
The following images were NOT engraved by Herbert Bourne
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The Last Toilet of
Charlotte Corday
by R. Bourne after Edward Matthew Ward |
The Departure
R. Bourne after William Powell Frith |
Family Devotion
T. Bourne after Thomas Faed |
Other images reportedly engraved by Herbert Bourne
Substantially reliable references exist that indicate Bourne's engravings also appear in these two volumes. I have never located either, so I cannot personally confirm.
| Engravers reported: | Artists reported: |
| Charles Rolls | William Hilton |
| ? Edwards | Henry LeJeune |
| Charles Henry Jeens | William Henry Bartlett |
| Charles Cousen | William Hamilton |
| W. West | John Singleton Copley |
| Herbert Bourne | Paul Falconer Poole |
| William Holl | Peter Paul Rubens |
| William Greatback |
However, I have discovered there are three, and possibly several more, editions
of the Bible that have identical title, date, page numbers, and contributors.
The most common version (by William Collins, Glasgow) does NOT include
Bourne. From what I can tell, at least three versions of the Bible have completely different maps and illustrations, with none in common. I can definitely confirm that the illustrations in the Yale edition and the Collins
edition are completely different. I can also confirm
there is a third volume replete with many maps but apparently no
engravings. The Collins edition includes the following illustrations:
| Old Testament: | New testament: |
| Church of the Holy Sepulchre (E. Radclyffe, inside front) | Bethlehem (E. Radclyffe, after pg 4) |
| Jerusalem from Scopus (E. Radclyffe, title page) | Nazareth (J. Bower, after pg 30) |
| The Dead Sea (unattributed, after pg 24) | Jerusalem (E. Radclyffe, after pg 33) |
| Sidon, after pg 56 (E. Radclyffe) | Mount of Olives & Valley of Jehoshaphat (D. Mitchell, after pg 34) |
| Plains El-Rahah - Mt. Sinai (J. Bower, after pg 104 ) | Tiberias (E. Radclyffe, after pg 40) |
| Hebron (E. Radclyffe, after pg 168) | Bethany (R. Dawson, after pg 54) |
| The River Jordan (R. Dawson, after pg 48) | Via Dolorosa, Jerusalem, after pg 60) |
| Kirjath - Jearim (A. Willmore, after pg 258) | Field of the Shephards at Bethlehem (W. Gellatly, after pg 66) |
| Nablous (unattributed, after pg 280) | Jericho (J. Bower, after pg 92) |
| Ramleh (J. Brodie, after pg 296) | Pool of Bethesda and Church of St Anne (E. Radclyffe, after pg 108) |
| Shiloh (J. Brodie, after pg 302) | Lydda (R. Dawson, after pg 144) |
| Tower of David and Anglican Church (D. Mitchell, after pg 342) | Jaffa (E. Radclyffe, after pg 146) |
| Bethel (H. Bibby, after pg 388) | |
| Samaria (E. Radclyffe, after pg 406) | |
| Pool of Bezekiah (J. Brodie, after pg 430) | |
| Mosque of Omar (R. Dawson, after pg 472) | |
| Valley of Gihon (A. Willmore, after pg 504) | |
| Mount Lebanon from Beyrout (W. Richardson, after pg 720) |